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Showing results for ”contemporary artwork“ · Found 24 results
Uncle Toby Jug
18 x 13cm, exterior widest & tallest points. Glazed slipware. Uncle Toby jug by Peter Dick, Coxwold Pottery. Artist's touchmark to the base (a tree with fruit).
Uncle Toby Jug
12 x 10 cm, exterior widest & tallest points. Glazed slipware. Uncle Toby jug by Peter Dick, Coxwold Pottery. Artist's touchmark to the bottom of the front of jug on an unglazed strip (a tree with fruit).
Uncle Toby Jug, with coloured decorative glazes (large)
15 x 12cm, exterior widest and tallest points. Saltglaze slipware. Title 'Uncle Toby' in carved into the base with two artist's touchmarks. One: Coxwold Pottery tree and fruit Two: A monogram BD.
Uncle Toby Jug, with coloured decorative glazes (small)
12 x 10 cm, exterior widest and tallest points. Saltglaze slipware. Title 'Uncle Toby' in carved into the base with two artist's touchmarks. One: Coxwold Pottery tree and fruit Two: A monogram BD Three: JD.
Original artwork by Andrzej Krauze
43.5 x 35cm including frame. Framed and mounted. Original pen and ink drawing by A. Krauze. Signed. No date. See p235 The Book of Lost Books by Stuart Kelly. Gift from the artist.
Tristram Shandy's Lines of Narrative
24 x 27cm including frame. An artwork in pen and ink entitled 'Tristram Shandy's Lines of Narrative'. Depicting the plot lines copied from vol. 6 of Tristram Shandy and has at the bottom of the page inv.T.S. (Invenit) Scul.F.B. (Sculpsit Felix …
Tristram Shandy
New York based artist Brian Dettmer was artist-in-residence at Shandy Hall from 17 September - 26 September 2014. During the residency he created a paper varnished sculpture for the collection using two Folio Society Editions of Tristram Shandy, …
Without Sterne
2012. 30cm high x 50cm from bowsprit to bowsprit of a ship. Contemporary art work by Nancy Fouts specifically commissioned for the exhibition 'An Absent Presence' at Shandy Hall, 2012. Sculptural work made of wood, paper and thread. Painted and …
A Window for Shandy Hall
16 panes of handmade glass etched with the point of a solitaire diamond by artist Anne Vibeke Mou. Anne Vibeke used the ancient Japanese art of Suminagashi or ‘ink floating’ to produce the marbled paper, which guided her engravings. The …
Hafen Slawkenbergius, Hermes Trismegistus, Licetus Fortunio : God Bless / Deuce Take 'em All
Pencil and charcoal drawing. Mounted, glazed and framed. Signed and editioned.
'Full Stop (The Life and Opinions of Tristram Shandy, Gentleman)'
78 x 78.5 cm. Verso signed and dated by the artist. Photo etching on Hahnemühle etching (300gsm) paper. Edition of 20. See Dundee Contemporary Arts website.
The Marbled Page
Sculpture created for the exhibition 'Emblem of my Work', staged at Shandy Hall on 31st October 2011. '169' engraved and painted at top of page. Sculpture based on Tadcaster limestone, inset with brèche de Vendôme marble.
The Black Page
Sculpture created for the exhibition 'The Black Page', staged at Shandy Hall in 2009, celebrating the 250th anniversay of volumes 1 & 2 of 'Tristram Shandy'. '73' engraved and painted at top of page. Sculpture based on Tadcaster limestone inset with …
The Blank Page
Sculpture created for the exhibition 'Paint Her to Your Own Mind', staged at Shandy Hall in 2016. '147' engraved and painted at top of page. Sculpture based on marble with worked panel of 45 x 26.5 cm. Overall measurements 61 x 37 cm.
Constantly to Light
Sculpture created for entrance to Moth Shed. 85 x 36 cm on Branshaw sandstone mounted on a lower step of 76 x 92.5. On three sides is carved the text 'constantly to light' which is enhanced with silver-leaf decoration. Signed on East facing with …
A Sentimental Journey
A Sentimental Journey, in a 1948 edition illustrated by B. Robb, has been treated by the artist by cutting the pages to reveal illustrations and text, then varnished. Signed.
A Sentimental Journey
A Sentimental Journey, in an 1890 edition illustrated by Leloir, has been treated by the artist by cutting the pages to reveal illustrations and text, then varnished. Signed.
A Sentimental Journey
A Sentimental Journey, in an 1897 edition illustrated by T H Robinson, has been treated by the artist by cutting the pages to reveal illustrations and text, then varnished. Signed.
The Plot Line Handrail
Disability rail to improve access
The Liberty Handrail
Disability rail to improve access to gallery
A Humument page 196 ('St Erne')
Screenprint. 'St Erne', page 196 from Tom Phillip's treated Victorian novel A Humument. A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter every page by …
A Humument page 7 ('Scribe the Story')
Screenprint. 'Scribe the Story', page 7 from Tom Phillip's treated Victorian novel A Humument. A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter every …
A Humument page 4 ('Nine Eleven')
Screenprint. 'Nine Eleven', page 4 from Tom Phillip's treated Victorian novel A Humument. A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter every page …
A Humument page 12 ('We Are the People')
Screenprint. 'We Are the People', page 12 from Tom Phillip's treated Victorian novel A Humument. A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter …
